By Renee Gladman
Publication Date: September 6, 2016
ISBN# 9781940696270 (5.5x8 144pp, paperback)
ISBN# 9781940696287 (5.5x8 144pp, limited edition hardcover)
A collection of linked essays concerned with the life and mind of the writer by one of the most original voices in contemporary literature. Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.
Gentle prying leads to memorable phrases, ballooning images, and twisty thoughts that take us deep into the syntax of calamity.
Jenn Mar, Rain Taxi
Gladman pushes up against the boundaries of narrative while nestling comfortably within it. Her prose is vivid, meandering, and acute…The book is a welcome addition to the tradition of experimental literature exploring the boundaries of genre, identity, and artistic expression.
Gladman obsesses and opens new airways at the levels of sentence, story, essay, sequence, model, and of discrete words that draw themselves through the thickness and unexpectedness of their phonemes…each essay is a fragment, a new beginning, discontinuous from its neighbors but in conversation with them…each transformation is a calamity, unresolved but pointing to further possibilities.
Sam Lohmann, The Volta
Renee Gladman’s fiction defies easy categorization […] Here, Gladman turns her eye to the essay, focusing on questions of bodies and time.
Vol. 1 Brooklyn
Renee Gladman is one of the great hybridizers of contemporary letters. Calamities draws us into its own looking-glass world of language and time, the spaces of life happening and not happening all at once, and Gladman balances everything gracefully atop her sparse, nearly ambient prose. So rarely can syntax catch the heart off guard.
Jarrod Annis, Literary Hub
Within this book is a new way to contemplate, investigate, and map the mind and the surrounding space, internally and externally, as one writes about writing, speaks about writing, and about the relationships, cross-overs, and shape shifts from film to drawing to words to people.
Lauren Wallach, Book Court
Gladman’s wonders— brilliant and self-aware even when materializing just beyond her reach— on the mechanics and experience of writing through objects that are at once foreign and intimately felt, compose her narrative movement: her deepening into a set of reflective postures, a singular cartography that both models (and creates space for) storymaking we have not yet been equipped to recognize.
The Poetry Project
The thing she is telling you how to make is pure imagination, it is not something you would or could bring to life—but you can wear it by reading her essays. These sketches inevitably twist and tumble into a beautiful knot of failed effort. And the failure is, somehow, the beginning. A premise for the next creative act.
Aisha Sabatini Sloan, Tarpaulin Sky
The style of these essays, all of them short, is so impressionistic that it's probably safe to call these works "essay-poems" instead of essays proper…a minimalism so austere that the reader is often left to draw their own connections between events and feelings…it's a great writer-on-writing book, but it's an even better communicator-on-communication book, and that's really the key to it…
Chris Schahfer, Chicago Center for Literature and Photography
A word, once written, calls for more words. This additive/corrective/amendatory process is the draw of writing. In her new book of essays, Calamities, Renee Gladman lays bare these paradoxes at the heart of writing…
Renee Gladman is a writer and artist preoccupied with lines, crossings, thresholds, geographies, and syntaxes as they play out in the interstices of poetry and prose. She is the author of ten published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians, and Calamities, a collection of linked essays on writing and experience. Her first monograph of drawings, Prose Architectures, is forthcoming from Wave Books in 2017. She lives in New England with poet-ceremonialist Danielle Vogel.
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