24 Pages and other poems
24 Pages and other poems
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Lisa Fishman’s sixth book of poetry is centered on bodies and where they are in relation to each other—whether a body is of plant; of person; or of words, and whether a body is personal or civic; singular or collective; alive or dead. The contradictions of lyric unfold, in this most unconventional elegy, by means of perception so steady it can change. 24 Pages and other poems extends backward and forward, with the presence of many, such as John Clare and Friederike Mayröcker, helping along the way.
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This is a world in the midst of creation, an Ars Poetica of everything...
Publishers Weekly
Fishman's observations are informed by oneness with the ecosystem and depict an environment that is merged with that ecosystem, rather than personified within it...
American Poets
Readers of this latest from Fishman immediately sense how much she wants us to “JUST LOOK” at the world, how particular her own observational skills are (“yet try/ to posit as turning// the river the swimmer can// daylight”), and how, as we scrape against the world, “change it some/ is synonym for love.”
Barbara Hoffert, Library Journal
These poems touch the earth, smell a clump of soil in their hands. And, yes, a method—fecund, inclusive—is embodied here in the face of loss. Part of the pleasure of this book is feeling not only charm but depth. Taken as a whole, the poems speak a creative response, acknowledgment…
Mary Cisper, OmniVerse
Like Clare, Fishman can ramble; her friendly, loose-woven writing, with its lack of transitions, can feel like erasure. She also yearns “to hear past words of the self,” to bring other people’s voices into her poems—the people who wrote the books she read, and the human beings who share her rural Wisconsin life.
Stephen Burt, Boston Review -
Lisa Fishman is the author of eight books of poetry, a short story collection, and several chapbooks. Her newest poetry book is One Big Time, out on Wave Books in spring, 2025. World Naked Bike Ride was published in Canada by Gaspereau Press in 2022 and was a finalist for the Canadian ReLit Award in short fiction. Other Wave poetry titles are Mad World, Mad Kings, Mad Composition (2020) and 24 Pages and other poems (2015). Fishman is also the author of three books on Ahsahta Press: F L O W E R C A R T (2011); The Happiness Experiment (2007); and Dear, Read(2002); the latter was selected by Brenda Hillman as a finalist for the Sawtooth Poetry Prize. Fishman’s other books are Current (Parlor Press, 2011) and The Deep Heart’s Core is a Suitcase (New Issues Press, 1996). Her chapbooks include at the same time as scattering (Albion Books, 2010), Lining (Boxwood Editions, 2009), KabbaLoom (Wyrd Press, 2008), and ‘The Holy Spirit does not deal in synonimes: a Transcription of Elizabeth Barrett Browning’s Marginalia in Her Greek and Hebrew Bibles’ (Parcel Press, 2008). A pamphlet, Deer 1, was published by Oxeye Press (2015) and Note on Niedecker’s Takuboku was published as a pamphlet by The Brother in Elysium (2015, expanded in The Wave Papers, 2016). Fishman’s work is anthologized in Best American Experimental Writing (Omnidawn, 2014, ed. Cole Swenson), The Ecopoetry Anthology (Trinity University Press, 2013), The Arcadia Project: North American Postmodern Pastoral (Ahsahta Press, 2012), Not For Mothers Only (Fence Books, 2007), American Poetry: The Next Generation (Carnegie-Mellon University Press, 2000) and elsewhere. She has relatively recent work in Granta, Spiral, Laurel Review, Denver Quarterly, Rapture, Oxeye, and other journals. A Pushcart Prize nominee and PEN/Robert J. Dau Short Story Prize for Emerging Writers nominee, Fishman continues to live primarily on the farm she and her husband started in 1999 in Orfordville, Wisconsin, dividing her time between Wisconsin and Canada. She is a dual US/Canadian with earlier roots in both the Detroit area and Montreal.
Publication Date: April 7, 2015
ISBN# 9781940696102 (6x7.75 96pp, paperback)
ISBN# 9781940696096 (6x7.75 96pp, limited edition hardcover)
ISBN# 9781950268344 (audiobook)
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