What is poetry? (Just kidding, I know you know): Interviews from The Poetry Project Newsletter (1983–2009)

Edited by Anselm Berrigan

• Description
• Reviews

• The Poetry Project was founded in 1966 for the overlapping circles of poets in the Lower East Side of New York. These interviews from The Poetry Project Newsletter form a kind of conversation over time between some of the late 20th century's most influential poets and artists, who have come together in this legendary venue over the past 50 years.

• A striking anthology of interviews that sheds light on one of the most iconic poetry institutions in New York City…An essential tour de force for poetry buffs.
  Kirkus Reviews

  Poet Anselm Berrigan has carefully curated a selection of these interviews between emerging and established writers to render a history of The Poetry Project. The critical and foundational thoughts of writers such as Charles North, Allen Ginsberg, Paul Schmidt, Kenneth Koch, Alice Notley, Ed Sanders, Bernadette Meyer, Fred Moten, and Ann Waldman punctuate the work. It’s because of these seminal thinkers that notions of Language Writing, praxis, conceptualism, and collaboration are understood as they are today.
  Michael Valinsky, Hyperallergic

  The playful title of Berrigan’s book suggests not only the importance of poetics, but that it is always a collective, highly personal, undertaking... that is, the new poetics conceives of poetry as an open field... In short, we get insight, if not a total picture, of the New York avant-garde. Beyond individual actors we get to know a community and an institution. It is a complex story told in many first persons; even though it is incomplete, it tells us much.
  William J. Harris, Jacket2

  Berrigan presents an idiosyncratic gathering, selecting interviews from a limited set of years—there’s the satisfying feeling that inclusion was determined solely by what most appealed to him personally. Rather than a comprehensive anthology, therefore, he offers more of an in-depth glimpse into the chummy archival lore behind the Poetry Project’s community engagement. Patrick James Dunagan, Rain Taxi

  I strongly recommend this book—it is well-edited (and/or perhaps the interviews originally were well-written) so that the prose flows; it is educational; it is interesting; in places it is funny; in places it’s gossipy (in a fun way); and it succeeds in presenting a profile of The Poetry Project that makes the reader applaud its existence.
  Eileen Tabios, Galatea Resurrects